Caitlin Rose Shares New Single
"Nobody's Sweetheart"
First New Album In 10 Years CAZIMI
Out Nov. 18 Via Missing Piece Records
Celebrated Nashville singer/songwriter Caitlin Rose released today her new single “Nobody’s Sweetheart.” Along with the accompanying official video directed by Austin Leih, the new song is the latest peek at her forthcoming album CAZIMI, her first new release in nearly a decade, releasing on November 18th through Missing Piece Records.
Co-written with Daniel Tashian (Kacey Musgraves, Tenille Townes, Lee
Ann Womack), “Nobody’s Sweetheart” finds Rose conflating self-acceptance
with defiant rejection of popularity.
“For
a long time I was doing a little series on Instagram where I would
punchline all of the old sheet music I was collecting,” said Rose.
“There’s a 1924 tune called ‘Nobody’s Sweetheart’ and I added ‘and
nobody’s fool’ as a crack. I ended up taking it down because I knew it
would be a really fun one to write. Daniel Tashian just happened to be
on my schedule that week and was the perfect musical cohort to explore
this. I wanted something anthemic and fun (and easy) to play in sets and
that definitely scratched the itch.”
She
continued, “Similarly, the video just came out of wanting to ride
horses and, more specifically, that I always thought Nobody’s Sweetheart
was a perfect racing name. We were able to film at the Loretta Lynn
ranch thanks to some amazing friends. Crystal Lynn patiently guided me
through an entire week’s worth of riding lessons in one day. I’m so
thankful to the Lynn family for one of the best days I’ve had in a long
time and for this perfect opportunity to become a born again horse
girl.”
“Nobody’s Sweetheart” follows the release of the lead single “Black Obsidian,” a
reflective song that wrestles between the need to let go and move on
with the desire to create your own narrative obscuring a less-than-ideal
reality. Rolling Stone called it “atmospheric” and Nashville Scene dubbed it “eerie and mesmerizing” while also earning praise from Stereogum, Brooklyn Vegan, Wide Open Country, and more.
When Caitlin Rose settled in at Nashville’s Sound Emporium Studios for a week of tracking in February 2020 with co-producer Jordan Lehning (Andrew
Combs, Caroline Spence, Rodney Crowell), she never expected the world
to turn on its head just a month later. It turns out, sitting with these
songs a little longer is exactly what she needed. After a seven year
absence following the release of her sophomore LP, The Stand-In,
she was finally ready to dismiss any preconceived idea of what a
“Caitlin Rose Album” should be. The resulting 12-song collection
reflects the multifaceted complexity of a fully-realized person, even if
things had to be pulled apart and put back together a few times to get
there.
Taking
its title from the astrological term for when a planet is in such close
proximity to the sun that it’s considered to be in the heart of it, CAZIMI chronicles
“the slow motion unraveling of somebody’s life” in the aftermath. With a
voice equal parts honeyed and world-weary, and featuring backup vocals
from Courtney Marie Andrews, Rose sings self-aware songs of
self-destruction, documenting proclivity and impulse control, bad habits
in life and in romantic pursuits. She skips across genres, combining
new wave influences with pop stylings and the melancholy
folk songwriting that made her such a staple of the Nashville rock
scene.
CAZIMI Tracklist:
01) Carried Away
02) Modern Dancing
03) Getting It Right
04) Nobody's Sweetheart
05) Lil' Vesta
06) Black Obsidian
07) How Far Away
08) Blameless
09) Gemini Moon
10) Holdin'
11) All Right (Baby's Got A Way)
12) Only Lies
Follow Caitlin Rose:
For more information, please contact:
Erik Andersen (erik@missingpiecegroup.com)
Michelle Steele (msteele@missingpiecegroup.com)
Michael Krumper (michael@missingpiecegroup.com)
ABOUT CAITLIN ROSE:
Not as much a return to form as it is a reintroduction to Caitlin Rose, CAZIMI follows 2021’s deluxe 10-year anniversary edition of her beloved debut Own Side. That record, along with her celebrated 2013 follow-up The Stand-In, garnered widespread critical acclaim from press including NPR Music, Rolling Stone, SPIN, TIME, The Washington Post and more. Pitchfork said, “Rose’s voice…is a striking instrument to carry a hypnotic, achey-breaky, pop-catchy chorus, of which she has bucketloads,” and The New York Times declared, “She has a sweet, knowing voice and a penchant for lyrics that are far darker.” She has been called a “promisingly wry lyricist” by The Guardian and “the future of Nashville and American country music” by BBC Music.
Missing Piece Group
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