“Making a record to me has always just been about the experience, a new experience in a new place with a new person at the desk, taking the plunge and just seeing what happens. For the first time I stepped away from the guitar and wrote a lot of the album on the Roland keyboard in my apartment in Montreal with its inbuilt band tracks. I blu-tacked reams of butcher paper to the walls, covered in lyrics and ideas, praying to the music gods that my brain would arrange everything in time.”
The binary of casual crisis is a powerful force in Julia Jacklin’s music. Since releasing her debut album Don’t Let the Kids Win in 2016, the Melbourne-via-Blue Mountains singer-songwriter has carved out a fearsome reputation as a direct lyricist, willing to excavate the parameters of intimacy and agency in songs both stark and raw, loose, and playful. If her folky 2016 debut Don’t Let the Kids Win announced those intentions, and the startling 2019 follow-up Crushing drew in listeners uncomfortably close, PRE PLEASURE is the sound of Jacklin gently loosening her grip.
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